Enter our Cello Love Wall Art Giveaway
Enter for a chance to win this fantastic 11″ x 14″ metal print of Paola’s cello love trademark design which cleverly combines the ASL sign for “love” () with the word “cello.”
The giveaway entry form is at the end of this article about Paola Beals.
Early Music Wednesdays: Musicivic Baroque
- Natalie Rose Kress, Baroque Violin
- Elena Smith, Baroque Cello
- Robert Warner, Harpsichord
- Adam Cockerham, Theorbo
- Sonata Op. 4, No. 2 Marco Uccellini (1603-1680)
- Sonata Representativa in A Major Heinrich Ignaz Franz von Biber (1644-1704)
- Sonata No. 3, in F major, C. 140 (1681) Heinrich Ignaz Franz von Biber (1644-1704)
- Ciaccona Antonio Bertali (1605-1669)
Premieres on Wednesday, June 8 at 7:30 pm as a part of “Early Music Wednesdays” series and is available for a week.
This previously recorded concert is available to view for free for one week only.
13 February 8 AM EST
Wigmore Hall Live – Christian Poltéra cello; Kathryn Stott piano
The Swiss cellist studied with the late Heinrich Schiff and has gone on to enjoy a busy career both as a soloist and a chamber musician: here he collaborates with a leading duo pianist. Their programme consists of a work by Prokofiev premièred by Mstislav Rostropovich and Sviatoslav Richter in 1950 and a late work by Chopin that is one of his largest compositions.
Tickets to watch online are £16.
Online Programs and Events
Our Spring 2023 CelloKids classes utilize a unique curriculum that fuses the Dalcroze Method with musicianship on the cello. In these classes, we will relate movement experiences and musical concepts together so that students begin to understand these ideas in an organic way. If you’d like to learn more about Dalcroze, read more here!
Saturday’s classes will be taught by Jeremy, focusing on the Dalcroze method (no cellos needed!). Then, in the follow-up class on Sunday, Andrea and Horacio will help the students find ways to adapt this embodied information to their cello playing, making the learning come full circle: sound-ear-body-sight-cello. So, bring your cello on Sunday only!
This curriculum is being pioneered and co-taught by Horacio Contreras, Jeremy Dittus, and Andrea Yun. Classes will be offered in both English and Spanish.
Participants must attend both Saturday and Sunday session! Enrollment automatically registers you for both classes. There will also be both beginner (ages 5-8) and intermediate (ages 9-12) levels offered, at 1 pm and 2 pm ET respectively. Note that the Spanish and English classes will happen at the same time, but in separate break out rooms on Zoom.
As always, enrollment is free for students but $5 for observers—so sign up today!
13 February 17:00 GMT
Secco Recitatives. Those sung/spoken moments in cantatas or operas where so much of the action takes place and where only occasional, single bass notes, with or without figures, are written in support of the vocal line. Over the past twenty-five years, much musicological research has investigated the practice of secco recitative accompaniment by cellists in earlier times, but relatively little work has documented the actual performance practice used by professional cellists who accompany secco recitatives today.
This talk presents the results of an online questionnaire sent to 249 professional continuo cellists worldwide during the Spring of 2020. The survey discusses instrumentation and seating positions within the continuo group, chordal and bassline articulation, rehearsal protocol, self-evaluation and critical feedback. Above all, it documents whether the cellist realizes the harmonies and in what circumstances. The research shows that certain cultural and sociological factors influence continuo group dynamics and are highly predictive of a cellist’s accompanimental practice. Awareness of these correlations permits today’s young continuo players to see their own interpretative choices from a different perspective and perhaps alter the performance practices within their professional continuo groups in the future.
17 February 19:00 GMT
Join us on Friday 17th February at 7pm for our Make Your Own music writing workshop and learn more about instruments and composing with three Red Note players.
Make Your Own is a new workshop series, created to help make the world of writing new music accessible to all.
This is a hybrid online / live in-person session and will feature flute, cello and percussion. Join us in person at the Glad Cafe in Glasgow or online via Zoom.
This workshop is also designed as an introduction to Noisy Nights, an opportunity to compose for a concert featuring the same players later in the year.
The workshop will be fun, informal, friendly and informative, and designed to help everyone – whether a seasoned composer or a curious newcomer with no musical training – to write their own new music. You might even get the opportunity to write for our players during the evening.
If you are interested in learning more about the workings of these instruments and writing music for them, then register for a place to attend this workshop…
If you have any questions or would like more information about this workshop, please contact us at firstname.lastname@example.org
Register for this free event here.
4 March, 13 May, 16 September, and 2 December 2023 (Saturdays) | 6.00 PM – 8.15 PM GMT
Online Timeline Series – Cellist Catherine Black
We all want to be as rounded a musician as possible and that’s a pretty big ask. We all have our preferences, and the groups & orchestras we play in, take us down certain paths which enrich and educate us, but sometimes we find a hole in our knowledge!
The Online Time Line Series has really found a place in your lives. Join us to learn more about a remarkable piece of music, its composer, an era, its style that may otherwise have passed you by. Musical architecture, polyphony, phrasing, the place of music in society are all a part of this quest for a better understanding and roundedness.
We will play, discuss & explore from your – the player’s point of view – a particular piece of music from the wide library of Unsung Heroes Cello Ensemble scores. These now range from Josquin and John Taverner (1490–1545), through to Tchaikovsky & Elgar and far into the twentieth century.
Though there are some restrictions online, we can all play using the mute button, though not as a group. This is an exciting opportunity for players to have the chance to play as many parts as they wish as we play together.
You may want to bring a notebook too and I do send out further notes to help you continue the development after the class. I see this as a massive opportunity for us to do detailed work that really moves you on, because we have these apparent restrictions.
Just a thought: you may think a particular composer, (say Josquin for instance) isn’t for you. Don’t rule things out too easily as all these people, whose music I want to share with you, have so much light to shine for us. As cellists, there is so much music we miss because we have so much already written for us. This is an opportunity that I personally have loved developing.
Your score is sent to you on booking your place and there are 15 places per class so we keep the lesson small, detailed and personal.
Do look at all the parts if you can, so you get under the skin of the music.
Venue: Zoom (waiting room opens at 5.45 PM for tuning)
Fee: £25 per class
13 March 18:00 GMT
Composed some three centuries ago, yet hardly known until the last 100 years, Bach’s Cello Suites have captured the imaginations of music-lovers across the globe. They bear few indications of how they should be played, instead leaving the interpretation to the performer. It is impossible to know the full history of the suites, and this uncertainty has left them shrouded in an air of mystery.
In this fascinating masterclass, Steven Isserlis, the internationally renowned and award-winning cellist, invites you to explore the suites. As well as hearing excerpts, you will begin to discover the story of the suites – why they languished in obscurity for so many years, and whether there might be an underlying narrative to the music.
Steven’s book The Bach Cello Suites: A Companion is available to pre-order in paperback. You can purchase a book and ticket for the combined price of £58.52 including P&P. The book is due to be published in March 2023.
Registration starts at £51.83. For more information, click here.
25 March, 22 April, 3 June, 23 September, 11 November | 6:00 PM–8:15 PM GMT
All About My Bow – Cellist Catherine Black
Our bow is our voice. We want it to breathe, speak, dance, sing and emote. This is an infinite subject but we do need to start somewhere! I feel we learn best with clear explanation, demonstration, focus and experimentation.
We will explore in varied ways, how our bow use can become increasingly natural to us – to become truly, an extension of your arm and hand. In going slowly and in detail, you will more truly find your own voice and feel able to express yourself more fully and authentically as a cellist & musician.
This series will build your understanding in stages. Some classes may be repeated too.
The instrument we play is large and physical and we need to know how to use energy well and understand movement because sound follows the movement.
I will send you materials for the class ahead of the day and then afterwards I will send documents that help you consolidate and develop our work. The groups will be small enough that we will be able to work individually too to check things are understood.
Venue: Zoom (waiting room opens at 5.45 PM for tuning)
Fee: £30 per class
2, 9, 23, 30 April 10 AM ET
Join Professor Peled for four 60-minute sessions via Zoom. This is a group class where you learn the principles and techniques found in his book, “The First Hour — A Cellist’s Daily Technical Regimen.” Play along with Professor Peled as he demonstrates live the exercises that will help take your playing to the next level. Each session is recorded in high quality and your registration fee gives you access to each session video throughout the duration of the course.
Dates: April 2, 9, 23, and 30, 2023
Time: 10:00 a.m. ET (each session is recorded)
Fee: $500 USD ($400 USD for previous participants in the Amit Peled First Hour Online Courses or Online Cello Academy)
To Register: Send an email to Julia@ctmclassics.com
Required: You will need to purchase a copy of “The First Hour” book by placing your online order here. Please order by March 1, to allow enough time for shipping.
For more information, visit the class website.
31 July -6 August
WFCF Cello Academy 2023 – Online Summer Cello Master Classes
Individual Online Cello Lessons will take place daily from Monday 31st July till Sunday 6th August 2023 @ cca 9:00 a.m. – 5:00 p.m. (cca 55 minutes slots), online via Zoom or Skype.
San Diego Suzuki Institute Online Suzuki Teacher Workshop
Cello Unit 3 $450.00
December 27 – December 31
Taught by Alice Ann O’Neill
This course is 15 hours with 8 hours of observation time.
Tues Dec 27 1-5:30pm Eastern Time
Wed Dec 28 1-5:30pm Eastern Time
Thurs Dec 29 1-5:30pm Eastern Time
Fri Dec 30 1-5:30pm Eastern Time
Sat Dec 31 12-3:30pm Eastern Time + individual meetings
Cello Unit 2
The Cello Guild – Cello Courses
New classes – plus a chance to earn a free Cello Guild sticker! We recently launched our new Cello Guild site.
Please register before purchasing.
- An Introduction to the Celtic Cello – by Clíodhna Ní Aodáin
- Making a Goritzki Bow Foam – by Nancy Green
- Cello Geography: Mapping the Fingerboard – by Jonathan Simmons
- Fret Not, Dear Cellist – Venturing Beyond First: 2nd and 4th Positions – by Erica Lessie
- Fret Not, Dear Cellist – Moving on Up: 5th and 6th Positions – by Erica Lessie
Cello Discovery – Yes, You CAN Learn to Play the Cello Online
Created by cellist and pedagogue Carolyn Hagler, this program is excellent for beginning and intermediate students wanting to learn online. Innovative and regularly updated, this program impressed Cello Museum team members.
Sign up for Cello Discovery here.
Trad Cello – Tunes and Techniques with Natalie Haas
Let Natalie Haas teach you some tricks of the trade as well as some great melodies!
Natalie is one of the most sought after cellists playing traditional music today. She and Scottish fiddler Alasdair Fraser have toured as a duo for twenty years, wowing audiences at festivals and concerts worldwide with their unique sound.
In this series she will teach some bowing techniques when accompanying melody players before moving on to chords and arranging, finishing with some melodies that sit well on the cello.
Although this series is aimed at the cellist, many of the skills and techniques will sit as comfortably on any string instrument.
Click here to learn about membership options.
Win a Year of Free Lessons!
Enter a drawing for a year of free lessons via video exchange with cellist Mike Block. Click here to enter.