New classes – plus a chance to earn a free Cello Guild sticker! We recently launched our new Cello Guild site.
Please register before purchasing. If you experience any trouble, please don’t panic. Simply contact us and let us know the problem, and we will take care of it – and send you a free sticker for helping us!
The Newfoundland Symphony Orchestra presents Masterworks 2: Kaleidoscope with special guest, Bryan Cheng, cello. Bryan is an accomplished cellist and was recent winner of the 2022 Queen Elisabeth Competition in Belgium. The concert conducted by Marc David, features: Kaleidoscope by Mercure; Concerto for Cello No. 2 by Saint-Saëns; Élégie by Fauré; and, Symphony in D by Franck.
Following recent prize-winning successes at some of the world’s most prestigious international competitions, including Queen Elisabeth, Concours de Genève, and Paulo, Canadian-born, Berlin-based cellist Bryan Cheng has established himself as one of the most compelling young artists on the classical music scene. He made his sold-out Carnegie Hall recital debut at age 14, his Elbphilharmonie debut aged 20 with the Deutsche Kammerphilharmonie Bremen (Joshua Weilerstein), and in 2022 was the first cellist to be awarded the coveted Prix Yves Paternot in recognition of the Verbier Festival Academy’s most promising and accomplished musician.
He has released a trilogy of albums on German label audite—Russian Legends (2019), Violonchelo del fuego (2018), and Violoncelle français (2016)—which has been critically-acclaimed by The Times (UK), Süddeutsche Zeitung, ORF Radio (Austria), WCRB Classical Radio Boston, and BBC Radio Scotland, among others.
Bryan plays the “Dubois” Antonio Stradivarius cello, Cremona, 1699 graciously provided to him by Canimex Inc. from Drummondville (Québec). He is a recipient of the Deutschlandstipendium and has been supported by the Sylva Gelber Music Foundation with generous multiyear scholarships.
Fifteen-Minutes-of-Fame featuring cellist František Brikcius
– 15 solo cello premieres!
– Vox Novus is proud to present Fifteen-Minutes-of-Fame featuring cellist Frantisek Brikcius on Saturday December 3rd at 2:30 PM EST (UTC-5)
– Frantisek Brikcius will be presenting the one-minute works of 15 composers.
– Fifteen-Minutes-of-Fame will present the works of Nicholas Batina, Ray Boyle, Michael Coleman, Oluwatooni Debisi-Ajayi, Zoe Felton, Carlotta Ferrari, Addison Hightower, Christine Jeandroz, E.B. Kerr, Irena Kosíková, Billie Reason, Michal Slais, Frederick Alden Terry, Carol Worthey, and Mark Zuckerman.
Our bow is our voice. We want it to breathe, speak, dance, sing and emote. This is an infinite subject but we do need to start somewhere! I feel we learn best with clear explanation, demonstration, focus and experimentation.
We will explore in varied ways, how our bow use can become increasingly natural to us – to become truly, an extension of your arm and hand. In going slowly and in detail, you will more truly find your own voice and feel able to express yourself more fully and authentically as a cellist & musician.
This series will build your understanding in stages. Some classes may be repeated too.
The instrument we play is large and physical and we need to know how to use energy well and understand movement because sound follows the movement.
I will send you materials for the class ahead of the day and then afterwards I will send documents that help you consolidate and develop our work. The groups will be small enough that we will be able to work individually too to check things are understood.
Venue: Zoom (waiting room opens at 5.45 PM for tuning)
We all want to be as rounded a musician as possible and that’s a pretty big ask. We all have our preferences, and the groups & orchestras we play in, take us down certain paths which enrich and educate us, but sometimes we find a hole in our knowledge!
The Online Time Line Series has really found a place in your lives. Join us to learn more about a remarkable piece of music, its composer, an era, its style that may otherwise have passed you by. Musical architecture, polyphony, phrasing, the place of music in society are all a part of this quest for a better understanding and roundedness.
We will play, discuss & explore from your – the player’s point of view – a particular piece of music from the wide library of Unsung Heroes Cello Ensemble scores. These now range from Josquin and John Taverner (1490–1545), through to Tchaikovsky & Elgar and far into the twentieth century.
Though there are some restrictions online, we can all play using the mute button, though not as a group. This is an exciting opportunity for players to have the chance to play as many parts as they wish as we play together.
You may want to bring a notebook too and I do send out further notes to help you continue the development after the class. I see this as a massive opportunity for us to do detailed work that really moves you on, because we have these apparent restrictions.
Just a thought: you may think a particular composer, (say Josquin for instance) isn’t for you. Don’t rule things out too easily as all these people, whose music I want to share with you, have so much light to shine for us. As cellists, there is so much music we miss because we have so much already written for us. This is an opportunity that I personally have loved developing.
Your score is sent to you on booking your place and there are 15 places per class so we keep the lesson small, detailed and personal.
Do look at all the parts if you can, so you get under the skin of the music.
Expanding the Early Cello Repertoire: Elinor Frey’s Performances and Research
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Join us for the third Early Music Vancouver event at Green College this academic year. Early Music Vancouver presents music in ways that are attentive to and inspired by styles, conventions and conditions that existed when the music was first conceived.
For the past decade, cellist Elinor Frey has worked to make world premiere recordings and first editions of rarely-performed Baroque cello music. After spending a year in Italy on a Fulbright Fellowship, she began to integrate her musicological research on cello history and cello repertoire with her concert performances, recordings and publishing activities. Elinor’s Green College lecture will discuss the music that she has championed, especially cello works by Italian composers Angelo Maria Fiorè, Giuseppe Clemente Dall’Abaco, and Antoine Vandini, and French composer Jean Baur, as well as her process for contributing to her field.
Elinor Frey will be joined on the evening by a special guest, fellow musician Natalie Mackie, a member of Pacific Baroque Orchestra and the chamber ensemble “La Modestine.”
Gustav Mahler Prize 2023 – Cello Competition (Online)
The Gustav Mahler Institute Prague, in cooperation with the Gustav Mahler Philharmonic Jihlava, invite cellists of all nationalities up to the age of 30 to compete for the Gustav Mahler Award 2023. The competition will take place online via YouTube recordings. Many prizes have been prepared for a total of EUR 10,000. Each competitor will receive an expert jury evaluation. Please read the rules of the competition on our website. It’s easy.
Trad Cello – Tunes and Techniques with Natalie Haas
Let Natalie Haas teach you some tricks of the trade as well as some great melodies!
Natalie is one of the most sought after cellists playing traditional music today. She and Scottish fiddler Alasdair Fraser have toured as a duo for twenty years, wowing audiences at festivals and concerts worldwide with their unique sound.
In this series she will teach some bowing techniques when accompanying melody players before moving on to chords and arranging, finishing with some melodies that sit well on the cello.
Although this series is aimed at the cellist, many of the skills and techniques will sit as comfortably on any string instrument.
Cello Museum founder and curator, Dr. Brenda Neece is a cellist and a researcher specializing in the history of the cello. Before starting The Cello Museum in 2019, she worked as a freelancer and served for just over a decade as a musical instrument museum curator. Her major cello teachers were Rochelle Kidd, Fred Raimi, Martha Gerschefski, and William Pleeth. Her academic mentors were Jon Finson, Marilyn Gombosi, Hélène La Rue, Ferdinand J. de Hen, and Jeremy Montagu.
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– 15 solo cello premieres!
